Nick Hennegan talks to Festival Director Rosemary Richards about the Bloomsbury Festival – celebrating its 20th anniversary in the centre of London.
BohemianBritian.com
Nick Hennegan's Bohemian Britain
Lifestyle tales from the city
Nick Hennegan talks to Festival Director Rosemary Richards about the Bloomsbury Festival – celebrating its 20th anniversary in the centre of London.
BohemianBritian.com
A quick hello after the success of our production ‘Winston and David’ in London. Trying to take a few days off in a place I’ve never been to before. And I’ve not opened the work laptop for TWO days! That’s a first for a long time!

Wiltshire meets Tel Aviv in Soho! Another brilliant http://www.LondonLiteraryPubCrawl.com. Beer and books. đ Whatâs not to love?
Why not join us!
Nick Hennegan talks to actor, producer and writer Nicholas Collett about his life and work – and how a son of a Steel Worker in Sheffield becomes an artist.
BohemianBritian.com
http://www.nicholascollett.com

Any new work of art is hard. Plays maybe more so. So it was a real privilege to be one of a handful of people to be invited by the lovely and talented Tim Marriott to a FIRST rehearsed reading at the Tabard Theatre in Chiswick, London. Itâs the first public read through of Don Quixote (or the man that thought he was) and even at this early stage, it’s a comedy with an emotional heart. Watch this space!
Tabard Theatre, Bath Road, London W4.
đˇđˇđˇđˇ – 4 out of 5 glasses of fine claret! (Or Woods Navy Rum!)
(Oh.. 𡅠they’re our ‘bohemian’ version of Stars! âď¸)
Itâs a massive, tiny story is Mettle. And a true story of a bloody conflict in the middle of a vast ocean. Which like all bloody conflicts throughout history is executed by individuals⌠just normal people like you and me. And like actor Nick Collettâs ex Sheffield steel-worker Dad. He served on the Atlantic convoys in the Second World War and saw active service. They were protecting unarmed merchant ships bringing crucial supplies to an embattled UK. The German U-boats were horribly ruthless and effective.
Mr Collett served on board the HMS Vanessa during WW2 and like many of that generation didnât talk much about it after the event. I have some personal experience of this; my Dad lied about his age in WW2 and ended up in 2nd Parachute Regiment, dropping at Arnhem⌠you know the film – A Bridge Too Far. A bit like Nick, I did a bit of research into Dad… and it was a pretty gory story. I completely understand why that generation of heroes had no desire to share their horrors with beloved children.
However, one of the delights, perhaps unexpected, from this story, is that that there isnât actually too much gore! In one sense that makes this a far more moving story. Itâs not a massive battle, itâs not a bridge too far, itâs an everyday story of a ânormalâ man who served his country in the second world war.
In one sense itâs quite a strange show, with mainly storytelling rather than acting. But the drama and emotion seeps through, aided by some clever props, lighting and sound all sensitively directed by Gavin Robertson.
Itâs a moving hour, is Mettle. Go see it and learn about Mr. Collett. He would be proud of you. And his son, Nick.
Tickets https://www.tabard.org.uk
Glad but sad (given Iâm committed to access to theatre!) that weâve SOLD OUT! The rest of the run of âWinston and Davidâ in London is returns only!

Hello friend,
Just a quick reminder our first ON-LINE Literary Pub Crawl around London and Edinburgh is happening tomorrow, Tuesday 25th August at 8pm. We’d love you to join us from the comfort of your own home! (Or local Pub!) Details here. Â
And we were on BBC Radio Four last week on The World Tonight with our Edinburgh Fringe hit play ‘Winston and David’. We’re about 20 minutes into the show.
And if you are in London and want to see the final few performances of Winston and David (We finish this Saturday, 29th August) there are still a few tickets left.  Â
We’re back from Edinburgh now and Nick Hennegan’s musings and reviews can be read on his blog, www.BohemianBritain.com
Thanks so much for your support. Hopefully see you soon!
Love/manly hugs,
Nick and the Maverick Team x
We had a brilliant night celebrating #Londons top #writers with this brilliant gang from around the world! http://www.LondonLiteraryPubCrawl.com

đˇđˇđˇđˇ – 4 out of 5 glasses of fine claret! (Or iced water!)
[Oh.. 𡅠they’re our ‘bohemian’ version of Stars! âď¸]
I wouldnât normally start a review with a comment about the venue, but wow! What a venue. As an Edinburgh regular there arenât many Fringe shows Iâve seen in modern, 600 seater, air conditioned venues like the EICC Pentland Theatre at Pleasance.
But itâs a big show, with a cast of twelve. Or at least, eleven and a half! It bills itself as being a spoof of 12 Angry Men – a classic play that Director Guy Masterson presented to great success at the Edinburgh Fringe in 2003, using comedians instead of actors. And it seems to have split critical opinion a bit! But that might be marketing it as âan hilarious spoof of 12 Angry Men.â Perhaps fortunately for me, I didnât see the original play. Iâve never even seen the film. So I speak as I find with this production⌠and itâs not perfect, but itâs a clever, original show with some lovely moments.
The Eleven and a Half men are of course jurors in a murder trial in the USA. And of course the half is a short juror! Not knowing the original, this version by Owen OâNiell is set in the jurors room of a court in America in the 1950âs. And in fact, itâs quite a serious affair. They must decide if a sixteen year old boy murdered his Father. If they find him guilty, he will be sent to the electric chair and die himself.
Itâs not completely black humour, but the distance of the piece – the fact it is set in the USA in the 1950âs, allows the characters to talk about a range of social mores and behaviours that would – fortunately – be difficult today. And it is character driven. Of course, as jurors they are all very different characters. They all have their own reasons for wanting to get the process finished. And thereâs almost a reality show feel to the voting as to who finds the boy guilty or not.
And there are some wonderful moments. Joe Pasquale in his first ever Fringe ends up tap dancing on the tables and there is some fabulously mimed skipping too! There are a few problems with diction too but as comedians, the cast does remarkably well.
Do they find the boy guilty of murder or not? I shanât spoil it. But it almost kind of doesnât matter. Itâs an entertaining, often ridiculous example of humanity, presented in all its humorous extremity. Oh⌠and vegetarians beware!
| The jurors: |
| Stephen K Amos, |
| Joe Pasquale (Fringe debut!), |
| Tom Stade, |
| Spencer Jones, |
| Mark Maier, |
| Glenn Wool, |
| JJ Whitehead, |
| Ian Coppinger, |
| Terry Alderton, |
| David Calvitto, |
| Phil Nichol, |
| and Owen OâNeill. |
| Director Guy Masterson. |