Review: ‘Mettle’ by Nick Collett.

Tabard Theatre, Bath Road, London W4.

šŸ·šŸ·šŸ·šŸ· – 4 out of 5 glasses of fine claret! (Or Woods Navy Rum!)

(Oh.. šŸ·… they’re our ‘bohemian’ version of Stars! ā­ļø)

It’s a massive, tiny story is Mettle. And a true story of a bloody conflict in the middle of a vast ocean. Which like all bloody conflicts throughout history is executed by individuals… just normal people like you and me. And like actor Nick Collett’s ex Sheffield steel-worker Dad. He served on the Atlantic convoys in the Second World War and saw active service. They were protecting unarmed merchant ships bringing crucial supplies to an embattled UK. The German U-boats were horribly ruthless and effective.

Mr Collett served on board the HMS Vanessa during WW2 and like many of that generation didn’t talk much about it after the event. I have some personal experience of this; my Dad lied about his age in WW2 and ended up in 2nd Parachute Regiment, dropping at Arnhem… you know the film – A Bridge Too Far. A bit like Nick, I did a bit of research into Dad… and it was a pretty gory story. I completely understand why that generation of heroes had no desire to share their horrors with beloved children.

However, one of the delights, perhaps unexpected, from this story, is that that there isn’t actually too much gore! In one sense that makes this a far more moving story. It’s not a massive battle, it’s not a bridge too far, it’s an everyday story of a ā€˜normal’ man who served his country in the second world war.

In one sense it’s quite a strange show, with mainly storytelling rather than acting. But the drama and emotion seeps through, aided by some clever props, lighting and sound all sensitively directed by Gavin Robertson.

It’s a moving hour, is Mettle. Go see it and learn about Mr. Collett. He would be proud of you. And his son, Nick.

Tickets https://www.tabard.org.uk

We’ve Sold Out!

Glad but sad (given I’m committed to access to theatre!) that we’ve SOLD OUT! The rest of the run of ā€˜Winston and David’ in London is returns only!

Latest Maverick Theatre News…

Hello friend,

Just a quick reminder our firstĀ ON-LINE Literary Pub Crawl aroundĀ LondonĀ andĀ EdinburghĀ is happening tomorrow,Ā Tuesday 25th AugustĀ at 8pm. We’d love you to join us from the comfort of your own home! (Or local Pub!) Details here.Ā Ā 

And we were onĀ BBC Radio FourĀ last week onĀ The World TonightĀ with our Edinburgh Fringe hit playĀ ‘Winston and David’.Ā We’re about 20 minutes into the show.

And if you are in London and want to see the final few performances ofĀ Winston and DavidĀ (We finish this Saturday, 29th August) there are still a few tickets left. Ā Ā 

 

We’re back from Edinburgh now and Nick Hennegan’s musings and reviews can be read on his blog, www.BohemianBritain.com  

Thanks so much for your support. Hopefully see you soon!

Love/manly hugs,

Nick and the Maverick Team x

www.MavericktheatreCompany.com 

Edinburgh Fringe Review – Eleven And A Half Angry Men.

šŸ·šŸ·šŸ·šŸ· 4 out of 5 glasses of fine claret! (Or iced water!)

[Oh.. šŸ·… they’re our ‘bohemian’ version of Stars! ā­ļø]

I wouldn’t normally start a review with a comment about the venue, but wow! What a venue. As an Edinburgh regular there aren’t many Fringe shows I’ve seen in modern, 600 seater, air conditioned venues like the EICC Pentland Theatre at Pleasance.

But it’s a big show, with a cast of twelve. Or at least, eleven and a half! It bills itself as being a spoof of 12 Angry Men – a classic play that Director Guy Masterson presented to great success at the Edinburgh Fringe in 2003, using comedians instead of actors. And it seems to have split critical opinion a bit! But that might be marketing it as ā€œan hilarious spoof of 12 Angry Men.ā€ Perhaps fortunately for me, I didn’t see the original play. I’ve never even seen the film. So I speak as I find with this production… and it’s not perfect, but it’s a clever, original show with some lovely moments.

The Eleven and a Half men are of course jurors in a murder trial in the USA. And of course the half is a short juror! Not knowing the original, this version by Owen O’Niell is set in the jurors room of a court in America in the 1950’s. And in fact, it’s quite a serious affair. They must decide if a sixteen year old boy murdered his Father. If they find him guilty, he will be sent to the electric chair and die himself.

It’s not completely black humour, but the distance of the piece – the fact it is set in the USA in the 1950’s, allows the characters to talk about a range of social mores and behaviours that would – fortunately – be difficult today. And it is character driven. Of course, as jurors they are all very different characters. They all have their own reasons for wanting to get the process finished. And there’s almost a reality show feel to the voting as to who finds the boy guilty or not.

And there are some wonderful moments. Joe Pasquale in his first ever Fringe ends up tap dancing on the tables and there is some fabulously mimed skipping too! There are a few problems with diction too but as comedians, the cast does remarkably well.

Do they find the boy guilty of murder or not? I shan’t spoil it. But it almost kind of doesn’t matter. It’s an entertaining, often ridiculous example of humanity, presented in all its humorous extremity. Oh… and vegetarians beware!

The jurors:
Stephen K Amos,
Joe Pasquale (Fringe debut!),
Tom Stade,
Spencer Jones,
Mark Maier,
Glenn Wool,
JJ Whitehead,
Ian Coppinger,
Terry Alderton,
David Calvitto,
Phil Nichol,
and Owen O’Neill.
Director Guy Masterson.

Och aye!

Because of ā€˜Winston and David’ in London we’re not Lit Pub Crawling Edinburgh this year. But guess where I am? It’s so great to be back! šŸ˜ŠšŸ“ó §ó ¢ó ³ó £ó “ó æ

The noo!

Nina Nails it Again! – Edinburgh Fringe Review.

šŸ·šŸ·šŸ·šŸ· šŸ· 5 out of 5 glasses of fine claret! (Or coconut juice for Monkey!)

[Oh.. šŸ·… they’re our ‘bohemian’ version of Stars! ā­ļø]

A vibrant stage backdrop displaying the text 'Nina's Conti Cabaret' featuring a smiling woman in a blue outfit holding a puppet, illuminated by stage lights.
Nina’s banner!

Nina’s C*nti Cabaret

Venue 302. McEwan Hall at Underbelly, Bristo Square

Nina Conti is an all-round talent. She looks great, sounds great and her improv skills are second to none.

She sounds remarkable – this is ventriloquism after all – whether as a squawky American woman, a grumpy Scotsman, a posh dowager character… or a Monkey! And she sings very well too. And although she hilariously works with members of the public on stage with her ventriloquist masks, she is never cruelly manipulative, which is the mark of a real pro, as is her remarkable talent for improvisation. Her early career as a classically trained actor, before she was influenced by the late, great Ken Campbell to become a ventriloquist, is obvious here.

Her house band are also on the money, doubling up as stage hands on occasion. And her guest stars, which change every night, were also top notch tonight. I was particularly impressed with the young comedian Frankie Thompson who is hard to describe. Her act included being a tiny Tory, remixing a musical version of ā€˜Masterchef’ and getting most of the audience of the massive hall dancing tenderly with their partners. It was a unique and strangely moving experience for a comedy show.

And of course, Ninas’ ā€˜co-presenter’ for most of the show is the Monkey, who is hilarious. Nina breaks convention by allowing Monkey to dream of travel… to Nina’s left hand… and the dream of ā€œFresh fingersā€!

As a fringe veteran I can tell you it’s a unique hour of originality and invention. C*nti’s Cabaret is classic quality.

Theatre and Hic!

Birthday hangover with lovely friends and fam done āœ”ļø Now to more friends and hangovers (?) at the Edinburgh Fringe for a few days. Only here till Thursday as being interviewed by Radio 4 on Friday! Get me! And if chums have shows that need reviewing for BohemianBritain.com šŸ‡¬šŸ‡§ let me know! x