A Theatrical and Political Tour de Force.

Animal Farm with Guy Masterson.

Guy in his guises!

šŸ·šŸ·šŸ·šŸ·šŸ· 5 out of 5 glasses of human wine!

In full disclosure, I know Guy Masterson. He’s presented four of my plays at the Edinburgh Fringe Festival and he is the sole actor in my version of Charles Dickens’ ā€˜A Christmas Carol.’

But there’s a reason why ā€˜A Christmas Carol’ is doing so well, wowing the critics, appearing off Broadway in New York and touring the UK every year. Obviously – it’s my brilliant writing and directing (!)

But of course, Masterson is my actor of choice. And my reasons for choosing Guy are completely obvious here in this visceral, brilliant interpretation of George Orwell’s classic.

Masterson’s show of ā€˜Animalism’ was perfect at the atmospheric Wiltons Music Hall. And now you have another chance to see it in Edinburgh – for one night only! This adaptation with director Tony Boncza makes for a sometimes chilling evening. Four legs good, two legs bad isn’t always correct if those two legs are Masterson’s. Talking to the director in the bar before the show in London, I asked if he’d cast anyone else in the part. ā€œNoā€, he replied. ā€œI can’t imagine anyone else but Guy doing this show now.ā€

And I understand what he means. Masterson, dressed in a plain boiler suit, has an uncanny physicality, which has, if anything, got stronger as he’s aged. He presents all the Orwell characters with verve and confidence, adding occasional contemporary additions to the mix which never detract from the original, but signpost how Orwell’s tale is still so relevant today.

ā€œWe are a Grandfatherā€ is a quote that many may not remember, but was a seminal moment in the reign of Tory Prime Minister Margaret Thatcher – the first time she started using the Royal ā€˜we’ and prompting comments about how she saw herself. The dogs deciding there will be ā€be no more debate,ā€ remind us of how Boris Johnson prorogued parliament – effectively shutting it down when he couldn’t get his own way. We have good old reliable Boxer… who accepts everything he’s told, like most of us do… and works himself to death for the good of all; then the sheep who mindlessly repeat the political rhetoric that suits the Party Line. Comrade Squealer is a Special Advisor if ever I saw one. And of course, we have politics straight out of the Donald Trump and others, playbook. Blame Farmer Jones. It’s all HIS fault. Not ours. Until, of course, we realise how the political lies work! Or at least some of us do!

It’s funny, relevant and unmissable. Guy Masterson, Tony Boncza and George Orwell. A winning combination. Vote for them! Buy a ticket!

https://www.pleasance.co.uk/event/animal-farm

We Sold Out!

Obviously tickets. Never principles!

A lovely sell out crowd on today’s #edinburghLondonLiteraryPubCrawl. @thepleasance @edfringe

Edinburgh Fringe mini blog. Day 11. And 12. Cancelled Performances!

This has been a weird and wonderful fringe in so many ways. It’s also resulted in the first cancelled performances in Maverick’s 30 year history! Apart from once, in Birmingham. When an actor, Jon Morris, was so energetic during a performance of my play P.A.L.S., he pulled all the tendons in one leg and ended up in plaster. Ouch!

This is less physically painful, to be honest. It started, quite possibly, with Guy Masterson. Not just a fine actor, director and producer, but a friend now too. (And a talent that has two brilliant performances coming up this week with Pleasance.) Indeed he is the sole performer in my version of Charles Dickens ā€˜A Christmas Carol’. I adapted and directed Guy in it a few years ago and rather good he is too! We were off-Broadway in New York last year and we’re touring the UK later this year.

More crucially, at the start of this fringe I bump into him at the Pleasance Artistes reception at Brooks Bar. It’s great to see him but he casually mentions he has a cold. I don’t take too much notice. Even when, a couple of days later I start to come down with a cold for the first time in some considerable time. Which gets rapidly worse and ends up giving me Labyrinthitis. Which is a sort of ear infection. Which is fortunately not painful and doesn’t need plaster casts, unlike poor Jon (See above!) but does mean that I suddenly and often loose the ability and balance to stand or walk or… well, do anything really. Except maybe fall over. Especially I lose the ability to present, act and run the 1st ever Edinburgh (Not London) Literary Pub Crawl. 

It happened once before a few years ago. Nothing to do with Guy, sadly. So it’s not such an entertaining tale. But I do know there’s nothing you can do for Labyrinthitis apart from learn how to spell it, and do certain exercises to shake up your inner ear. And if you’re lucky it should be done in 3 to 4 days. 

So this starts at night, but there’s still a bit of me thinking, ā€œThe show must go on tomorrowā€! I should just carry on. I can always sit down or grab onto something or someone when and if the dizzy spells hit. A quick chat with my long-suffering partner who is also ā€˜in the biz’ puts me straight. Of course I can’t stagger through this. Make a decision, Hennegan.

So with a heavy heart I email the Pleasance to tell them the sad news… that we’re going to have to cancel today and two more shows. As ever, they are the epitome of professionalism, kindness and understanding, even knowing they’ve only got an hour to inform dozens of people this show is not going ahead.

And I’ll be back on 14th, hopefully. There’s a certain synergy to that. It’s my birthday! (Don’t worry if you’ve not got me a present, by the way. Cash will do…! šŸ˜€)

And amazingly, I see a video online from Fringe Review editor Paul about taking time off on the fringe and looking after yourself. Even more amazingly… for the first time in as long as I can remember…I doze off in the afternoon. Only 10 minutes, but maybe I’m more tired than I thought. 

No pub that evening. Even so, that night it’s the currently just 4 hours sleep. But then last night I gingerly walk over the road to The Tollbooth Tavern and sup a couple. Then very carefully walk back and actually watch a film on the computer… rather than, for instance, finishing this! Or other work. I message my writer mate Stephen in Birmingham and update him. He gets back and says he looked it up. Labyrinthitis is apparently a result of having a cold and stress. ā€œBoth of which you have.ā€

So maybe I can’t blame Guy Masterson. And amazingly, for the first time in months, I slept for nearly eight hours last night!

Right. Slow walk back to the pub again tonight For strictly medicinal purposes, you understand..! 

Edinburgh Fringe mini-blog. Day 11. Performance 8. It’s Bedlam!

The Bedlam Theatre Bar. Check out the posters!

Yet another brilliant group from around the world on the Edinburgh (Not London) Literary Pub Crawl this afternoon.

I think the 1 hour script is working. Although I’m already having a few thought about Fringe 2025. It’s a mad world innit!

@edfringe @thepleasance #pubs #writersofinstagram #nickhennegan #mavericktheatrecompany #londonliterarypubcrawl

Edinburgh Fringe mini blog. Day 10. Performance 7. The President of the USA!

A video offering from ā€˜Babe’ Lincoln.

I love the fringe for the camaraderie it inspires. Ellie asks me about a joke she thinks is falling flat because of cultural differences – or rather a British audiences knowledge of Abe Lincoln. I hope I help her out and I’m reminded about how kind Sir Ian Rankin was towards me when I was planning the Edinburgh Literary Pub Crawl. There’s some bad people in the world, sure. But most – the majority – are not. Especially in the arts.

More importantly, I’m still sneezing, but the LemSip might be working.

Cheers!

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Ellie… sorry.. Abe… sorry… Babe!

Edinburgh Fringe mini blog. Day 9. Performance 6 and Fringe Flu!

People often talk about ā€˜Fringe Flu’ but it’s not affected me since 1992.

Until last night! Suddenly my nose is blocked, eyes streaming. I’ve not had a cold for years! Great. JUST what you want when presenting a very ā€˜sociable’ event like our Literary Pub Crawl!

But I manage not to sneeze over our lovely – and actually quite large – audience and in spite of me still feeling uncomfortable after killing my babies (see yesterday’s mini blog) they are very appreciative at the end. Not much drinking, but a lot of laughter and applause!

But I feel a bit exhausted and forget to take our ā€˜school photo’ of the group which is a shame. One of the attractions of the Literary Pub Crawl is how sociable it gets. I don’t have a drink at all and drag me sorry derriĆØre back to the digs after the show. ā€˜Fringe Flue’ is usually bought on by not looking after yourself. I’m normally aware of this, but realise the pressure of this show may have distracted me somewhat.

I’m cheered though by our first review! I’ve not been looking for ’traditional’ reviews because, as you know, I’m still working on the concept. But this appeared on Facebook.

CHRIS JOHNSON

ā€œNick’s tour was so much fun! If you are at the Fringe this year, I’d say it’s a must-do.ā€

I don’t know who Chris is… but thank you very much!

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Edinburgh Fringe mini-blog. Day 8. Performance 5 and a new script. Killing My Babies.

It started with an email this afternoon.

And then a follow-up a few hours later. Both are from the venue box office. One or two people had given feedback that the Literary Pub Crawl lasted longer than the billed one hour! Of course it did! I warned everyone at the start of the first tour that my first script was going to be six hours long, but this one would ā€˜only’ be two hours. Which it has been for the last few days. But Edinburgh is different to almost any other kind of performance discipline. People at the Fringe plan their days meticulously and an overrun could mean missing another show. Most people have stayed for the two hours, but we have lost a few, which is a shame.

It was a bit of an oversight on my part. Most (not all) Edinburgh Fringe shows tend to be an hour long. It’s also partly to do with cost. The longer the show, the more expensive it will be. When we did the deal for this show I checked all the obvious things… apart from the end time!

The professionalism of the Pleasance Box Office meant they needed to know the duration, and if it was more than an hour they would contact all those that had already booked tickets to tell them – and contact all the resellers and inform them too.

I sent my email telling them that yes, the tour would be 2 hours. This was around 2 am. At around 4 am I suddenly awoke and thought, ā€œWhat am I doing? Putting all these people to all this trouble! Just make it an hour, idiot! Less is more!ā€

So I started straightaway doing what Ernest Hemingway described as ā€˜Killing your Babies.ā€ A harsh script edit.

Anthony Burgess suffered. Dylan Thomas was shaved. We lost the witchcraft trial. The final stop moved from The Deacon Brodie which affected Jekyl and Hyde. But everyone seemed to have a good time with my new Literary offering.

And it was 65 minutes long.

I’m still in mourning for my Literary Babies. But I will get over it.

Probably.

Maybe I need more than two hours of sleep tonight. Might have to go to a pub and think about it..!

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New script and hat!

At the Bedlam Theatre, Edinburgh.

Another great gang from around the world on the (Not London) Edinburgh Literary Pub Crawl with my new script. And hat! More about the script later!

Join us ever day at 3pm. http://bit.ly/4cSeSd8 @edfringe @thepleasance #edfringe #pub #writersofinstagram