Pubs and writers in Soho!

We had a brilliant night celebrating #Londons top #writers with this brilliant gang from around the world! http://www.LondonLiteraryPubCrawl.com

Edinburgh Fringe Review – Eleven And A Half Angry Men.

šŸ·šŸ·šŸ·šŸ· – 4 out of 5 glasses of fine claret! (Or iced water!)

[Oh.. šŸ·… they’re our ‘bohemian’ version of Stars! ā­ļø]

I wouldn’t normally start a review with a comment about the venue, but wow! What a venue. As an Edinburgh regular there aren’t many Fringe shows I’ve seen in modern, 600 seater, air conditioned venues like the EICC Pentland Theatre at Pleasance.

But it’s a big show, with a cast of twelve. Or at least, eleven and a half! It bills itself as being a spoof of 12 Angry Men – a classic play that Director Guy Masterson presented to great success at the Edinburgh Fringe in 2003, using comedians instead of actors. And it seems to have split critical opinion a bit! But that might be marketing it as ā€œan hilarious spoof of 12 Angry Men.ā€ Perhaps fortunately for me, I didn’t see the original play. I’ve never even seen the film. So I speak as I find with this production… and it’s not perfect, but it’s a clever, original show with some lovely moments.

The Eleven and a Half men are of course jurors in a murder trial in the USA. And of course the half is a short juror! Not knowing the original, this version by Owen O’Niell is set in the jurors room of a court in America in the 1950’s. And in fact, it’s quite a serious affair. They must decide if a sixteen year old boy murdered his Father. If they find him guilty, he will be sent to the electric chair and die himself.

It’s not completely black humour, but the distance of the piece – the fact it is set in the USA in the 1950’s, allows the characters to talk about a range of social mores and behaviours that would – fortunately – be difficult today. And it is character driven. Of course, as jurors they are all very different characters. They all have their own reasons for wanting to get the process finished. And there’s almost a reality show feel to the voting as to who finds the boy guilty or not.

And there are some wonderful moments. Joe Pasquale in his first ever Fringe ends up tap dancing on the tables and there is some fabulously mimed skipping too! There are a few problems with diction too but as comedians, the cast does remarkably well.

Do they find the boy guilty of murder or not? I shan’t spoil it. But it almost kind of doesn’t matter. It’s an entertaining, often ridiculous example of humanity, presented in all its humorous extremity. Oh… and vegetarians beware!

The jurors:
Stephen K Amos,
Joe Pasquale (Fringe debut!),
Tom Stade,
Spencer Jones,
Mark Maier,
Glenn Wool,
JJ Whitehead,
Ian Coppinger,
Terry Alderton,
David Calvitto,
Phil Nichol,
and Owen O’Neill.
Director Guy Masterson.

Och aye!

Because of ā€˜Winston and David’ in London we’re not Lit Pub Crawling Edinburgh this year. But guess where I am? It’s so great to be back! šŸ˜ŠšŸ“ó §ó ¢ó ³ó £ó “ó æ

The noo!

Nina Nails it Again! – Edinburgh Fringe Review.

šŸ·šŸ·šŸ·šŸ· šŸ· – 5 out of 5 glasses of fine claret! (Or coconut juice for Monkey!)

[Oh.. šŸ·… they’re our ‘bohemian’ version of Stars! ā­ļø]

A vibrant stage backdrop displaying the text 'Nina's Conti Cabaret' featuring a smiling woman in a blue outfit holding a puppet, illuminated by stage lights.
Nina’s banner!

Nina’s C*nti Cabaret

Venue 302. McEwan Hall at Underbelly, Bristo Square

Nina Conti is an all-round talent. She looks great, sounds great and her improv skills are second to none.

She sounds remarkable – this is ventriloquism after all – whether as a squawky American woman, a grumpy Scotsman, a posh dowager character… or a Monkey! And she sings very well too. And although she hilariously works with members of the public on stage with her ventriloquist masks, she is never cruelly manipulative, which is the mark of a real pro, as is her remarkable talent for improvisation. Her early career as a classically trained actor, before she was influenced by the late, great Ken Campbell to become a ventriloquist, is obvious here.

Her house band are also on the money, doubling up as stage hands on occasion. And her guest stars, which change every night, were also top notch tonight. I was particularly impressed with the young comedian Frankie Thompson who is hard to describe. Her act included being a tiny Tory, remixing a musical version of ā€˜Masterchef’ and getting most of the audience of the massive hall dancing tenderly with their partners. It was a unique and strangely moving experience for a comedy show.

And of course, Ninas’ ā€˜co-presenter’ for most of the show is the Monkey, who is hilarious. Nina breaks convention by allowing Monkey to dream of travel… to Nina’s left hand… and the dream of ā€œFresh fingersā€!

As a fringe veteran I can tell you it’s a unique hour of originality and invention. C*nti’s Cabaret is classic quality.

Theatre and Hic!

Birthday hangover with lovely friends and fam done āœ”ļø Now to more friends and hangovers (?) at the Edinburgh Fringe for a few days. Only here till Thursday as being interviewed by Radio 4 on Friday! Get me! And if chums have shows that need reviewing for BohemianBritain.com šŸ‡¬šŸ‡§ let me know! x