We had a brilliant night celebrating #Londons top #writers with this brilliant gang from around the world! http://www.LondonLiteraryPubCrawl.com

Nick Hennegan's Bohemian Britain
Lifestyle tales from the city
We had a brilliant night celebrating #Londons top #writers with this brilliant gang from around the world! http://www.LondonLiteraryPubCrawl.com

š·š·š·š· – 4 out of 5 glasses of fine claret! (Or iced water!)
[Oh.. š·… they’re our ‘bohemian’ version of Stars! āļø]
I wouldnāt normally start a review with a comment about the venue, but wow! What a venue. As an Edinburgh regular there arenāt many Fringe shows Iāve seen in modern, 600 seater, air conditioned venues like the EICC Pentland Theatre at Pleasance.
But itās a big show, with a cast of twelve. Or at least, eleven and a half! It bills itself as being a spoof of 12 Angry Men – a classic play that Director Guy Masterson presented to great success at the Edinburgh Fringe in 2003, using comedians instead of actors. And it seems to have split critical opinion a bit! But that might be marketing it as āan hilarious spoof of 12 Angry Men.ā Perhaps fortunately for me, I didnāt see the original play. Iāve never even seen the film. So I speak as I find with this production⦠and itās not perfect, but itās a clever, original show with some lovely moments.
The Eleven and a Half men are of course jurors in a murder trial in the USA. And of course the half is a short juror! Not knowing the original, this version by Owen OāNiell is set in the jurors room of a court in America in the 1950ās. And in fact, itās quite a serious affair. They must decide if a sixteen year old boy murdered his Father. If they find him guilty, he will be sent to the electric chair and die himself.
Itās not completely black humour, but the distance of the piece – the fact it is set in the USA in the 1950ās, allows the characters to talk about a range of social mores and behaviours that would – fortunately – be difficult today. And it is character driven. Of course, as jurors they are all very different characters. They all have their own reasons for wanting to get the process finished. And thereās almost a reality show feel to the voting as to who finds the boy guilty or not.
And there are some wonderful moments. Joe Pasquale in his first ever Fringe ends up tap dancing on the tables and there is some fabulously mimed skipping too! There are a few problems with diction too but as comedians, the cast does remarkably well.
Do they find the boy guilty of murder or not? I shanāt spoil it. But it almost kind of doesnāt matter. Itās an entertaining, often ridiculous example of humanity, presented in all its humorous extremity. Oh⦠and vegetarians beware!
| The jurors: |
| Stephen K Amos, |
| Joe Pasquale (Fringe debut!), |
| Tom Stade, |
| Spencer Jones, |
| Mark Maier, |
| Glenn Wool, |
| JJ Whitehead, |
| Ian Coppinger, |
| Terry Alderton, |
| David Calvitto, |
| Phil Nichol, |
| and Owen OāNeill. |
| Director Guy Masterson. |
Leaving the Edinburgh Fringe Iām sad but glad to report that āWinston and Davidā has SOLD OUT tonight. Well done cast and crew! Book now for the rest of the run!
Being in Edinburgh, Iām reminded that weāre about to start this fundraising campaign for the Maverick theatre Company. Join in from home! cheers!
Because of āWinston and Davidā in London weāre not Lit Pub Crawling Edinburgh this year. But guess where I am? Itās so great to be back! šš“ó §ó ¢ó ³ó £ó “ó æ

š·š·š·š· š· – 5 out of 5 glasses of fine claret! (Or coconut juice for Monkey!)
[Oh.. š·… they’re our ‘bohemian’ version of Stars! āļø]

Nina’s C*nti Cabaret
Venue 302. McEwan Hall at Underbelly, Bristo Square
Nina Conti is an all-round talent. She looks great, sounds great and her improv skills are second to none.
She sounds remarkable – this is ventriloquism after all – whether as a squawky American woman, a grumpy Scotsman, a posh dowager character⦠or a Monkey! And she sings very well too. And although she hilariously works with members of the public on stage with her ventriloquist masks, she is never cruelly manipulative, which is the mark of a real pro, as is her remarkable talent for improvisation. Her early career as a classically trained actor, before she was influenced by the late, great Ken Campbell to become a ventriloquist, is obvious here.
Her house band are also on the money, doubling up as stage hands on occasion. And her guest stars, which change every night, were also top notch tonight. I was particularly impressed with the young comedian Frankie Thompson who is hard to describe. Her act included being a tiny Tory, remixing a musical version of āMasterchefā and getting most of the audience of the massive hall dancing tenderly with their partners. It was a unique and strangely moving experience for a comedy show.
And of course, Ninasā āco-presenterā for most of the show is the Monkey, who is hilarious. Nina breaks convention by allowing Monkey to dream of travel⦠to Ninaās left hand… and the dream of āFresh fingersā!
As a fringe veteran I can tell you itās a unique hour of originality and invention. C*ntiās Cabaret is classic quality.
Birthday hangover with lovely friends and fam done āļø Now to more friends and hangovers (?) at the Edinburgh Fringe for a few days. Only here till Thursday as being interviewed by Radio 4 on Friday! Get me! And if chums have shows that need reviewing for BohemianBritain.com š¬š§ let me know! x

Our Saturday performances of āWinston and Davidā start at 6pm. A bit too early to start drinking – even for me! And as a former Edinburgh show it only runs for an hour. Plenty of time in the bar afterwards then!
Nick x

Ready for the first night of Winston and David. We have to move all this kit OUT of the auditorium first thoughā¦!