Nick Hennegan talks to the Rose Playhouse in London, about its fascinating history and a new series of webinars with some of their famous supporters, including Dame Janet Suzman.
THE BIRTH OF A LEGENDARY BOOZER. THE RAVEN, HAMMERSMITH, LONDON W6
The Raven for years, has been inconsistent, but brilliant. Run by a local crusty, then Aussies, then Kiwis (I think) and now the current regime is Irish, which always helps. Especially as my surname is Hennegan, to be sure, to be sure.
The building dates back to the 1830’s when it was a stable block and its current layout reflects this. It served the one-time Ravenscourt Manor, pulled down after bomb damage in the Blitz, apparently.
They also, intriguingly but illogically, have a book of birth records from the nearby Queen Charlotte Maternity Hospitalbehind the bar! The old hospital is now flats and I’m still not sure how the written records ended up behind the bar, but you get the occasional squeak of delight when someone finds their name whilst waiting for their Guinness to settle. There are also some famous births recorded apparently, including Steve Jones of the Sex Pistols, Zak Starkey, Daniel Radcliffe, Emily Franke, Mischa Barton and Dame Helen Mirren!
The glory of the Raven in 2021, like many pubs, is its management, who appreciate what a local pub should be. It is run by an independent pub group, which is usually very cool. But in this case the indies have seen what a great job the local management have done and put up the prices a bit.
But. Go. Do it. It’s not fussy or frilly and often gets noisy and boisterous during busy times. But I had a great conversation one night with a 25 year old Irish builder who was a fan of Brendan Behan and after too many pints of Guinness started quoting W.B Yeats. It’s opposite Stamford Brook tube station and it gets packed on Friday nights, when they have live music. It’s a fairly small pub and they show sport, but they have a small, tidy garden and a back room with wide clean tables for creative laptops and iPads.
There’s a lot to recommend it, apart from the high(ish) Beer prices. But The Raven has one Killer Feature. I think unique in all of London and perhaps because of its more relaxed management, I have NEVER been told to drink up and leave at the end of the night! If you are from other parts of the UK, or even the world, this might seem strange, but let me tell you brethren – London pubs for years have been TERRIBLE when it comes to drinking up and getting you out at the end of the night. 20 minutes after closing and you’re in the street. Terrible. The irony is that nowadays, since the 1997 Labour Government did away with the 1914 licensing laws that only allowed 20 minutes ‘drinking up time’, there is now no legal reason why we have to “drink up now!” And that is the BRILLIANCE of the current management. I think they appreciate our business! Of course, stashing 5 pints on the last bell might earn you a rebuff, but I’m not even sure about that! If you’re on a writing roll at the end of the night, the Raven rocks. It’s calm and quiet and they accept no-nonsense, but we writers are not going to extract the urine, as we say.
The location is great too, on the Chiswick/Hammersmith border, more or less opposite Stamford Brook Tube station.
So a good bo-ho place to create, apart from Friday nights. Although if you like live music, leave the laptop at home and rock up for a live and lively Friday night music session. They do good food until 10pm most nights too.
THE KING & QUEEN, FITZROVIA, W1. BOB DYLAN, WITHNAIL, BUT NOT I.
There are many pubs in Fitzrovia, just North of Oxford Street in Central London, W1 and most have some claim to fame, but the King & Queen, on Foley Street, in the shadow of the Post Office Tower, is a personal favourite for a number of reasons – although chiefly, as with most decent boozers – because of the staff. It’s what we would call a ‘proper’ pub. It’s part of a small chain now, I think. According to the website, it’s been owned by the family run LEA Taverns since 1985, and a jolly good job they’ve done too. Like most of the city centre pubs, I’ve not been there often for last orders and it has TVs and a juke box. But importantly for places to find inspiration, the vibe is good. And the staff are smart in that old-fashioned, no-nonsense way. The second time I went in there, on a fairly busy Friday night, I did single myself out by asking to take a pic of their classic old till, but then I perched on a seat at the end of the bar with a pint of what I call ‘cooking’ lager. Lower alcohol. Carlsberg, in this case. Just as I’d finished it, one of the barmen, faced with a busy onslaught of other customers, noticed I’d finished and nodded to me. “Same again?” Classy.
It’s a reasonable place to write in as well. Prices are not too bad. Wifi is good. They do food at lunchtimes, although I’ve not tried it. An old pub, there’s quite a young vibe, in its one single bar, but it’s a real mixed crowd and in spite of its city centre location, there’s a smattering of locals. I got chatting to one chap – a Mathematician – who has lived nearby for over twenty years. He frequents the K&Q precisely because of the staff . “They have a low turnover of staff here”, he told me. “It makes a difference to the ambience of the pub.” And he’s right. It does.
They have a function room upstairs too and not only is there a regular folk club, but one of the best spoken word events in town – ‘In Yer Ear’used to happen here. It’s run by Covent Garden resident and Soho regular, Dave The Hat, a good and true man with ties to Julia Bell, erstwhile writer and head of Birkbeck’s acclaimed Creative Writing course. Even though I consider them friends and I’ve had them both on my radio show (you can hear them on the London Literary Pub Crawl Podcast page) they are both soooooo cool, they almost frighten me.
The K&Q is also the place where non other than Bob Dylan performed. Yep, not only did he take his name from Dylan Thomas, another local, but it was Bob Dylan’s first gig outside the good old US of A. The story has it that in the days when the BBC could do such things, they hired him as an actor – to play the part of an American Folk Singer! Apparently his acting wasn’t too good, but while he was in the area, he thought he’d get his box and ‘monica out and play a few tunes at the local boozer. His performance in the pub was much more successful than his performance on the telly, apparently. No surprise there then!
It’s worth a visit even if you don’t want to write. This area of Fitzrovia is slowly but surely being overwhelmed by new build flats for millionaires, and I fear for its future. But the King has retained many of its original features and you wouldn’t be surprised if Withnail walked in, resplendent in Trenchcoat and asked for the finest wines known to man. The staff at the K&Q would, I’m sure, help him out.
Nick Hennegan talks to artist and life coach Jeff Leisawitz about his new book, ‘Stop F*ing Around’ – a guide to getting creative dreams off the ground! http://jeffleisawitz.com
Nick Hennegan talks to writer Bonnie MacBird about her new series of Sherlock Holmes novels; how she came to work in Hollywood and created and wrote the Tron series of films – and how she discovered comedian Robin Williams!
Nick Hennegan talks to Annette Brook and Daljit Nagra from the Royal Society of Literature in London, about a 200 year old institution with a very modern outlook.
This website has just been launched. It’s an accumulation of around 40 years of a chaotic career, stumbling success and acclaimed failure. I’ve been writing, recording and following mad notions and ideas all my adult life… and one of my podcasts has just been voted No 2 in the top ten bohemian podcasts on the web!
So I thought I’d try and put all this stuff in one place. Theatre, broadcasting, writing, music, publishing and podcasts. And, of course, I love Britain. I’ve been all around the UK (mainly because I’ve not been able to afford foreign holidays!) Friends give me a cottage in Wales for a few weeks every year. My family is from Ireland. I’m about to bring out a ‘Good Pubs Guide’. For writers. It’s not about the beer, but the ambience. The semiotics of a bar. So watch this space. And please feel free to get involved and comment. Or if you’re a creator and you have a favourite pub, please write a 500 word review and send it in. The fee is one pint on acceptance – one pint on publication. My kind of deal…!
Recorded live at theWheatsheaf Pub in Soho for Nick Hennegan’s Resonance 104.4FM radio show ‘Literary London’. This episode features two memoirs; a moving recollection by Nick himself from his BRMB Radio days and an hilarious story from writer Zoe Antoniades’ youth! — Send in a voice message: https://anchor.fm/londonliterarypubs/message
Nick Hennegan launches a new book he’d like you to write for – about pubs – and we go inside a pub to hear 2 new writers at Nick’s SpeakEasy Cabaret night in Soho. Recorded before restrictions. Part Two next week. — Send in a voice message: https://anchor.fm/londonliterarypubs/message