Touring ‘Henry V – Lion of England’ and New Productions: What to Expect in 2026

A festive New Year's image featuring champagne in a flute, a clock at midnight, and colorful fireworks in the background, with the text 'Happy New Year 2026' prominently displayed.

SO! 2026 -will see the first London People’s Theatre Company (an idea originally presented in Birmingham… Britain’s Second City!)

A group of performers dancing and engaging in a theatrical performance on stage, wearing colorful costumes.
The Brilliant Birmingham cast of our first People’s Theatre Company. Henry V by William Shakespeare. Adapted and directed by Nick Hennegan. Original music by Robb Williams.

We’re planning two new original productions.

A reprint of the Maverick Theatre story book will be available.

There will be a tour of the show that started it all. This is ‘Henry V – Lion of England.’ The tour will take place in the autumn.

Advertisement for the play 'Henry V - Lion of England' featuring a hand holding a royal crown, including positive reviews from various publications.

Plus the Edinburgh Festival Fringe – and the London Literary Pub Crawl is now out twice weekly!

This retirement lark isn’t going too well..! 😊

Love, Nick.

www.MaverickTheatreCompany.com

A wild year just done.. and a new one now to come! Maverick Theatre (and other!) News.

I thought I’d add our Maverick Theatre newsletter here… with some extra photos!

Logo of Maverick Theatre Company with bold text featuring the word 'Maverick' in black and 'theatre company' in bright orange, accompanied by a small red star.

A personal message from Artistic Director Nick Hennegan.

“Thank you so much for your support – and for being on our newsletter list! 

2025 was a frantic year – I had to move home (A BIT stressful!) although fortunately we still have our lovely Maverick broom cupboard … sorry, office!

 We created the first demo episodes of our audio drama. ‘George Holmes and the Seven Dimensions’ showcases a brilliantly talented young cast.

A group of six individuals, including four children and two adults, all holding papers in a warm and inviting setting, with a person in the center waving.

Then we reprised my award-winning play ‘A Ghost of A Chance’ with an equally brilliant cast at the Tabard Theatre in Chiswick at Easter.

(The Tabard won London Pub Theatre of the Year for 2025! Well deserved. Clever Them!

Promotional poster for the play 'A Ghost of A Chance' featuring a child with blue eyes and the text highlighting it as an award-winning domestic ghost story by Nick Hennegan.
Three people smiling while holding scripts for the play 'A Ghost of a Chance' in a cozy setting.

Thanks to Bob Paisley, and Central Standard Theatre, I went to the beautiful Kansas City, Missouri , USA (there’s a difference between that one and Kansas City, Kansas, I now know… I think!) 

A group of five people smiling together in a casual setting, with a bar or restaurant in the background.

I  met some lovely creative people and saw some great theatre at the BlackBox Theatre where we created a new, multi-media, multi-city Literary Pub Crawl (coming to an online screen near you very soon!)

Exterior view of the BlackBox Theatre with a clear blue sky and scattered clouds.

Then we were at the Edinburgh Festival Fringe in the summer.

A group of people sitting in a lively indoor space, waving and smiling at the camera, surrounded by greenery and wooden decor.

We started Thursday evening ‘London Literary Pub Crawls’ around Soho and Fitzrovia.

A group of five people at a pub, smiling and waving at the camera, with a bar and bottles in the background.

And we ended the year raising seed funds for the first ever London People’s Theatre Company.

A group of performers in red and green attire engaging in a choreographed dance on stage, featuring a checkered floor.
The Brilliant Birmingham cast of our first People’s Theatre Company. Henry V by William Shakespeare. Adapted and directed by Nick Hennegan. Original music by Robb Williams.

For the sixth year in a row, the version of Charles Dickens ‘A Christmas Carol‘ I Adapted and Directed is once again selling out theatres in the UK. Performed and Produced by Olivier-Award Winner, Guy Masterson.

A man holding a red candle in a dark, misty setting, with the title 'A Christmas Carol' displayed above.

I started to take part in my first NotNanNoWriMo, where you write 50,000 words of a novel in a month. I got to 37,000 words, but I did start ten days late. Soooo…! Watch this space!

Phew!

So in 2026 – we are presenting the first ever Maverick People’s Theatre Company production in London – ‘Romeo and Juliet F.C.’  

We are celebrating the 30th Anniversary of the play that started it all. ‘Henry V – Lion of England’ will have a UK and overseas tour in the autumn. And a number of on-line projects which I hope you might like.

We are once again running our Diploma in Creative Producing three evenings a week. It’s online for anyone who wants to make their own Theatre.

Oh… and my messy little blog, BohemianBritain.com (The one you’re reading now!) has been voted Number Two of the Top Ten Bohemian Blogs in the world! Get me!

I have another couple of mad ideas. Which might create a new female-focused musical. And also lead to a unique celebration of Birmingham AND London!

Maverick is a tiny not-for-profit charity started in 1994 on a Birmingham (Britain’s Second City, by the way!) council estate housing project, so your support – just being here – is hugely appreciated. 

Have a lovely and peaceful Christmas. And hopefully we will see you live (or virtually) soon!

Oh, here’s the main website if you want to know more… www.MaverickTheatreCompany.com 


(And I’ve cheekily added a donation box if you fancy helping out our little endeavours!)

Yo-Ho-Ho! See you next year ❤️”

Nick Hennegan. x

Artistic Director (and tea boy.)

The Maverick Theatre Company.

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Literary London: Christmas Classics with Nick Hennegan

An open book with text and highlighted pages, accompanied by a decorative candle and a small plant in the background. Soft lighting enhances the cozy atmosphere.
Photo by Ena Marinkovic on Pexels.com

In the final ‘Literary London’ show of 2025, Nick Hennegan presents two Christmas classics! Part of his OWN version of A Christmas Carol, preformed by Olivier Award Winner Guy Masterson, and the Welsh Wizard Dylan Thomas, reading his own ‘A Childs Christmas in Wales’ 

Happy Holidays!

Last Literary London Libations of 2025!

The last literary drinkers of 2025!

On our last outing of 2025, here are 10 happy faces from around the world at the Newman Arms Pub, Fitzrovia, London W1. Shortly before the ‘lightweights’ started to fall by the wayside.

(Writer Richard was leading. He boasts he’s put the “Pub Crawl” back into the London Literary Pub Crawl!)

Happy holidays – and see you in 2026.

Cheers!

Nick, Richard and all at the Maverick Theatre Company.

The Railway Children: A Magical Christmas Theatre Experience

Three actors performing a scene from 'The Railway Children' on stage, with one actress waving a flag and two others in the background, illuminated by stage lights.

The Railway Children. Photo: Matt Hunter

🍷🍷🍷🍷🍷 – 5 out of 5 glasses of fine Christmas Cheer!

Theatre At The Tabard
2 Bath Road
London
W4 1LW

The Tiny Tabard Theatre are deservedly building a reputation for presenting Christmas productions that are original, moving and suitable for children AND adults. Productions that over-deliver in their compact auditorium. And this production is no exception to that growing, golden reputation.

The classic Edwardian story from the book by E Nesbit, made famous by the 1970 feature film, is the story of three young children and their mother who, because their father has had to ‘go away’, find themselves in the countryside. And poor! But it’s a countryside that is crisscrossed with railway tracks – and their dwelling is near to the railway station run by an amicable station manager called Perks (Jay Olpin). There’s very fine acting from the whole company, but especially Christopher Laishley who multi-roles with a physicality and characterisation that is rare to see and a privilege to witness.

The children are charming and nuanced too. Peter (Max Pascoe) is a suitably boyish Edwardian boy, Bobbie (Emma Rowe) is the eldest of the siblings and we see a beautiful scene with her struggling between childhood and adult responsibility with her troubled and stoic mother – delicately played by Kirsten Shaw – a reflection completely of childhood breaching into adulthood. The youngest child, Phyllis (Anya Burlton) sweetly and charmingly supplies most of the comedy moments.

Louise Haddington has beautifully adapted a massive story into two hours running time. She actually might have been better with less story, but even if the first act felt occasionally a little frantic, the final combination of her writing and the very assured direction from Simon Reilly gives the show a massive pace and emotional impact.

It looks great too and chops must go to Rob Miles for set design, Nat Green for lighting, Nick Gilbert for sound and Alice McNicholas for Costume Design. Even the scene changes are slick and seamless and a credit to Stage Manager Jack Cleary and his team.

It’s an emotional and moving production – there was hardly a dry eye in the house, even on the Press Night! Perhaps even more importantly in our current political climate, this production is ultimately all about community and people being nice to each other. And who could ask for more than that, particularly at Christmas!

The Tabard Theatre won The London Pub Theatre of the Year for 2025. And this is another example of why it was such a deserved award.

The Railway children is a real treat. Get a ticket before it leaves the station.

Tickets and more information.

If Shakespeare Wrote Today: Modern Writing Dilemmas

An illustration of a historical figure resembling Shakespeare seated at a modern computer desk, with two monitors displaying text, and a feather quill beside him.

How would Shakespeare have got on if he had the problems we modern-day writers have?

HOW long did I spend getting ready for a writing challenge! Which software To Use, or Not to Use. That is the Question.

OR… even to use a computer at all? What about writing longhand?

And then, if longhand, what book, paper, pen to use? Smart notebook? There’s a few around now.

As far as I am aware, Shakespeare just had the choice of a quill and parchment to write on.

I’m guessing he might have had a favourite nib or feather – or even a favourite TYPE of parchment. I doubt there was much choice with the colour of his ink.

And that was it –

Nowadays, if he decided to use a computer… even that throws up decisions to be made by the modern day writer! Tablet or laptop? Mac, PC or Chromebook?

Shakespeare would have had no knowledge of any of it and saved SO much time! SO easy, back in his day… What do you think the Bard may have used?

Literary Lovies!

Not Lost in Soho!

Tanya from Boston, USofA, and Dave from High Wycombe, come to the end of a fine evenings perigrinations and refreshment, in The Toucan, Soho. With writer/guide Richard.