www.pleasance.co.uk/event/charles-dickens-edinburgh-not-london-literary-pub-crawl
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Nick Hennegan's Bohemian Britain
Lifestyle tales from the city
Edinburgh Fringe, 2025. Mini Blog, Day One.

Although it’s officially day one of the Fringe, I actually arrived four days ago ago, so it’s not really for me.
It’s a fact that more shows have opened in this little corner of the world than any other city in the world, although it still feels a little bit quiet.
I’ve now done the second of our new Edinburgh (not London) Literary Pub Crawl and again I’m struck by how lovely it is meeting the people who come on The Crawl. They like literature and they like a drink. What’s not to like about that!
My digs are proving a bit difficult. I’m sharing a purpose built student accommodation block with 10 other people, all who have very noisy closing doors. (I do too, but over the years I’ve got used to closing them, rather than letting the door springs do their work! The door to the communal kitchen has a sensor on it and if it’s open for more than 60 seconds it sets off an alarm. Fire prevention gone mad! (Although I guess I’d be grateful for if something really did go wrong.)
I’ve got my press pass and Industry passes today as well. At the moment I’m just concentrating on getting our show done but I’m very very keen to share the work of other artists in Edinburgh.
I actually went to the Assembly Club Bar, which is pass access only – so becomes like a private members club – after a certain time. It’s where I’ve been going during my contemporary years of the Edinburgh Fringe and where most of the people I know hang out and where I met them.
Tonight is a bit quiet, but I did bump into the brilliant David Calvitto – an actor who has a show up here which I’ll tell you more about later – and Paul Levy, the brilliant man who set up Fringe Review website – he’s from Brighton. And the two of us ended up going to Tesco’s to buy some supplies and although I’ve not met any of my other 10 flatmates, I’m going to take the plunge and put some frozen stuff in the fridge. Them’s the brakes aren’t they. So glamorous! Rock ’n’ roll.

The Charles Dickens Edinburgh (NOT London!) Literary Pub Crawl has started brilliantly with Crawlers from the USA 🇺🇸 Germany 🇩🇪 Canada 🇨🇦 Switzerland 🇨🇭 oh yes… and Scotland! 🏴 Join us every day from 3pm. @thepleasance @edfringe
The Latest News from the Maverick Theatre Company.
Happy August!
I’m back now from the USA (how LOVELY were the Kansans!)
We’re now at the Edinburgh Fringe with our SECOND, Charles Dickens (NOT London) Literary Pub Crawl. We’re out every day at 3pm so come and say hello if you’re in Edinburgh.
There are more details here
However possibly even more exciting is our new, all-comers-welcome, open-access production for West London. ANYONE who fancies trying ANYTHING in theatre – front of house, onstage, backstage, music, production, etc – can come and have a go and get top tuition and mentorship – for FREE – in our second People’s Company production.
Our first People’s Company production was a large-scale version of Henry V – featuring dancing and partying around Shakespeare’s tale. This time we may be looking at a new musical idea, if we can secure the funding.
Can you find just £2 to support the project? We have already had an indication that if we can find more than just TWENTY supporters, the local authority development fund will donate over £9k! As a working class organisation, this is tremendous news. We have about a month left to raise the funds needed. And if we can, this will be a terrific event for West London – and lead to other projects elsewhere in the country.
Please help if you can. If you need any more information please email me – but the details are here!
We’re working on a series of thank-yous for supporters through free tickets, special gifts and online and in-person events.
PLEASE HELP THIS SPECIAL AND UNIQUE ARTS PROJECT IN ANYWAY YOU CAN.
Thank you very much.
Hope to see you soon,
Nick x
Nick Hennegan. Artistic Director and Teaboy.
The musical term ‘Heavy Metal’ was born in Birmingham in the English Midlands. Bands like Led Zeppelin and, of course, Black Sabbath. I was born and dragged up in Brum and worked on radio stations BRMB, BBC WM and Chrysalis station The Arrow. It’s a great area, with great people. One of the people I worked with was Tom Parker. This is his personal take on a local legend.
It was branded ‘The Summer of Sabbath’ in Birmingham. It’s certainly lived up to the billing. Whenever I’ve been ready to close the book and move on, something else happens and I get dragged back in.
First there was the months of anticipation for the gig. Then, as it got closer, I was fortunate to become involved. Working at the opening of the museum exhibit with Sharon Osbourne. Making videos around the city of all the Sabbath-related attractions. Being among the privileged few to be present as the band was granted the Freedom of the City. The gig itself. And as I wallowed in the afterglow of that unforgettable couple of weeks, that, I thought, was that.
But after the highs came the lows.
The shock of Ozzy’s death. Being despatched the following day to capture the city’s reaction. The opening of the condolence books. Looking on as metalheads from across the world descended on Birmingham once again, much sooner than planned.
Then, on Sunday, I received a call to ask if I would like to be involved in a final ride around Birmingham for the Prince of Darkness. I didn’t need to be asked twice.
And so we came around to today. As I took my privileged reserved spot next to Black Sabbath bridge, I watched in awe as the general public gathered in their masses – tens of thousands of them – to salute our city’s finest son.
Then there was the heartbreaking moment when the family arrived, broken, and I found myself in the odd predicament of trying to capture the occasion in spite of the tears streaming from my eyes.
I wasn’t prepared to find it so emotional. In many ways, I think it was suppressed grief for my own dad. My love of all things Ozzy and Sabbath came from him, and my emotions over the last few weeks have been so wrapped up in his memory. Seeing the Osbournes going through the same heartbreak that the Parkers did a couple of years ago, only with the added pressure of the eyes of the world watching them… Wow. It hit me right in the feels.
But, amid the sadness, there was pride. A demonstration of Birmingham at its best, and the reasons why Ozzy strikes a chord with us so much.
As Brummies, we live our lives being sneered at, the constant butt of the joke. So, when we see somebody who sounds like us become one of the coolest people in the world, of course we latch onto them. He was ours, and the city was his.
It says a lot that Ozzy remains so revered despite being a complicated man. Delving into his past uncovers some uncomfortable truths. But it only adds weight to the feeling that we view him as one of our own. We see through his flaws. We forgive his mistakes. And that’s true love.
He is, however, a textbook case of the power of atonement. He always owned his mistakes and took responsibility for them. There was no apportioning of blame. No wallowing in self pity. Just a steady resolve for self-improvement. That PETA and The Alamo were among the social media accounts lining up to pay tribute last week says everything. Hundreds of millions of pounds raised for charity as his final act of redemption was the icing on the cake.
Legacy assured. Our greatest Brummie.
And so, as Ozzy left Birmingham, so ended our Summer of Sabbath. For real this time.
And while there will be no more cause for emotional outpourings from me, I’ll still show my love for Ozzy by quietly indulging in my love of his music, whilst encouraging my son to indulge in his.
Just like my dad did.
You know I will. I really will.

Source for image: Painting by John Collier (1850-1934)., Public domain, via Wikimedia Commons https://commons.wikimedia.org/wiki/File:Aldous_Huxley_1927.png
Nick Hennegan goes inside the mind of English writer Aldous Huxley, who discusses a range of profound topics, including the literary contributions of D.H. Lawrence, James Joyce, Ernest Hemingway, Marcel Proust and others. Huxley explores the intricate dynamics of relationships, delving into the complexities of human connections and their impact on individual lives.
His thoughts span various elements of life, emphasizing the interplay between personal experiences and broader societal themes. Huxley reflects on the significance of literature as a mirror to the human condition, drawing parallels between the struggles of his contemporaries and his own existential musings.
Moreover, he examines the theme of human desire—how it informs our aspirations and often leads to disillusionment. This dialogue between Huxley and the existential questions posed by his literary peers sheds light on the enduring quest for meaning in a rapidly evolving world.
Through Huxley’s lens, we are invited to consider the depths of creativity, the spiral of thought that connects writers across generations, and the timelessness of the human experience, all while navigating adult themes that challenge societal norms and philosophical boundaries.
Nick is back from the USA 🇺🇸 and had a great time with some lovely people!
On now to the Fringe… and if you’re a writer in Edinburgh this fringe, get in touch! We have daily ‘open spots’ to read your work. Email Edinburgh @ MaverickTheatre.co.uk.

Just back from the USA, Nick Hennegan celebrates the birthday of Ernest Hemingway, one its greatest writers, with some rarely heard recordings.